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Arts & Leisure: Theater

The doctor is in

‘Professor Bernhardi’ a bit time-worn, but surprises remain

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There is a good play buried in the three-hour production of “Professor Bernhardi” from the Marvell Rep, but you have to wade through a lot of Germanic bluster and posturing to get to it. Written by Austrian Jewish physician-turned-playwright Arthur Schnitzler in 1912, the play traces the fallout from a bitter confrontation between a respected Jewish doctor and a Catholic priest in 1900 Vienna.

Controversial from its beginnings, “Professor Bernhardi” was banned by Austrian censors before its first production. The Nazis later blacklisted all of Schnitzler’s works, most of which deal frankly with sexuality, describing them as “Jewish filth.” The first full English-language production was in 1936, five years after Schnitzler’s death, in London. The play has been rarely performed in the United States, but this translation by G.J. Weinberger is running in repertory with another controversial play, “The Threepenny Opera,” in a season devoted to “burned & banned” plays.

 
 

Local boys choir seeks new voices

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The Boys’ Choir of Teaneck’s Congregation Beth Aaron is looking for first- to seventh-grade members. Participants learn new songs, participate in performances in and out of the shul, and will be a part of an upcoming CD. Pictures and videos of the group’s performances are on the shul’s website, www.bethaaron.org, in the Events Committees/Youth section. For information, contact directors Benjy Rosenbluth, (201) 357-5685, or Yehiel Levy, (201) 357-5495, or .(JavaScript must be enabled to view this email address).

 
 

YU family film fest

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Yeshiva University will present “A Lens on Israel: A Society through its Cinema,” the Ring Family Film Festival, from Feb. 14 to 23. The four-part event will be supplemented by lectures, workshops, and open forums with leading Israeli actors, writers, producers, and directors. Capping the event is the Feb. 16 screening of “Footnote” — the Oscar-nominated Joseph Cedar film that won “Best Screenplay” at Cannes, and “Best Picture” at the Israeli Ophir Awards. It is among the five contenders for “Best Foreign Language Film” at this year’s Academy Awards. Following the screening, Cedar and actor Lior Ashkenazi will take questions from the audience.

The free festival opens on Feb. 14 with the screening of the internationally acclaimed drama, “Restoration.” The 2008 film “For My Father” will be shown on Feb. 15, and the festival concludes with “Three Mothers” on Feb. 23. Visit www.yu.edu/film-festival.

 
 

Music as weapon against tyranny

Q&A with Yevgeny Kutik

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Anew CD celebrates composers who rebelled against Soviet oppression — Alfred Schnittke, Joseph Achron, Dmitri Shostakovich, and Arvo Part. The album “Sounds of Defiance,” released this week, features star-violinist-to-be Yevgeny Kutic, 26. The piano is played by Timothy Bozarth.

“It is their unyielding faith that provided these composers with a powerful weapon against tyranny — defiance,” Kutik has written.

Kutik’s family fled Soviet-controlled Belarus when he was five after experiencing pressures that impinged on their public, private, and religious lives.

 
 

‘Imagining Heschel’: A review

We want to know more than the play reveals

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Just as its title promises, “Imagining Heschel,” the current production of the Harold Clurman Laboratory Theater Company (the professional company of the Stella Adler Studio), imagines a series of conversations between Rabbi Abraham Joshua Heschel and Cardinal Augustin Bea about the time of the Second Vatican Council, when Pope John XXIII reconsidered the church’s relationship to the Jews.

This change in church teachings, which removed the charge of deicide, would prove to be immensely significant, but that remains in the future at the time of the play. Cardinal Bea has come to meet with Heschel to convince him to travel to Rome to help the council formulate its new approach. Heschel is cautious, probing to see if the church is serious and ready to apologize for millennia of persecution, and willing to give up its determination to convert his co-religionists.

 
 

Saluting women in the arts

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“Apples & Onions” by Ludlow Smethurst

“Power of Squares: Salute to Women in the Arts” with mixed media and paintings is on display at the Waltuch Gallery of the Kaplen JCC on the Palisades in Tenafly this month. A meet-the-artist reception will be on Sunday, Feb. 5, from 1 to 3 p.m. Salute is an affiliate of the Art Center of Northern New Jersey. Admission is free and artwork is available for sale. For information, call Ophrah Listokin, Waltuch Gallery director, at (201) 408-1408 or www.jccotp.org.

 
 

A cappella in Englewood this Shabbat

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Magevet, the premier Jewish, Hebrew, and Israeli a cappella group of Yale University, will be at Congregation Kol HaNeshamah for Shabbat services tomorrow at 9:45 a.m., on the premises of St Paul’s Church in Englewood. A kiddush lunch will follow. (201) 816-1611 or .(JavaScript must be enabled to view this email address).

 
 
 
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Sarah’s Key’ unlocks painful memories of the Shoah

Film tells of French collaboration with the Nazis

Sixty-nine years ago this month, nearly 13,000 Jews were rounded up by French gendarmes and taken to the Velodrome d’hiver sports arena, not far from the Eiffel Tower in Paris. They were held there for days without food, water, or sanitation facilities, and then were sent to Auschwitz-Birkenau. French policemen, not Nazi soldiers, carried out the operation — and what is even more startling is that, for 50 years, most French felt no responsibility for the action.

The “Vel’ d’hiv’ roundup,” as it was called, became a symbol of national guilt and outrage. Twenty-five years after the liberation of Paris, in 1969, French Jewish filmmaker Marcel Ophuls took aim at the French nation in his provocative four-and-a-half-hour documentary “The Sorrow and The Pity,” where he dealt with the question of collaboration during World War II. The film was immediately banned by a government that was far from ready to tackle the question of its own culpability in the war.

 

Chorus goal: To bring Yiddish song to the next generation

If you find yourself in Manhattan on Sunday, June 5, finish your business, grab a bite, and head over to Symphony Space, on Broadway between 94th and 95th streets, where, at 4:30 p.m., the Jewish People’s Philharmonic Chorus is presenting a concert of Yiddish music that will make you want to sing along and tap your feet.

This year’s concert, “Love, Loss, Laughter: Favorite Yiddish Folk Songs” includes “Oyfn Pripetshik,” “Der Rebbe Elimelech,” “Rozhinkes Mit Mandlen, and “Zuntik Bulbes,” along with lesser-known songs that illustrate what life was like in Eastern Europe a century ago. The concert also includes newer Yiddish numbers, by Beyle Schaechter-Gottesman and the late Avrom Sutzkever, and one written by Josh Waletzky to commemorate 9/11. English translations and explanations are always provided, so the audience enjoys the concert and learns about the backgrounds and meanings of many great Yiddish songs.

 

‘Bride Flight: A powerful story about friendship and history’

For the last few decades, filmmakers have been dramatizing aspects of the Holocaust. Initially, there was strong reaction by some survivors and Holocaust historians, most notably Elie Wiesel, who claimed that these dramas were “trivializations” and that no narrative film could capture the horrors that were endured. The debate has softened these past years as there is realization and growing evidence across the globe that these television and film dramas have provided an incredible teaching tool and have effected a better understanding of the Shoah. In the Netherlands, filmmaker Paul Verhoeven rewrote his own film history when he made his 2006 film “Black Book.” It detailed Dutch collaboration with the Nazis three decades after his “Soldiers of Orange” glorified the work of the Dutch underground.

 

 

 
 
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